Tuesday, December 3, 2013

Blog #8 outline

   I'm  sorry  i couldn't not  give a  decent  presentation even  if my life  was on  the line, i'm sorry you  guys  had  to  see me  give that  horrible  presentation. well here is my line i could of  just  read but like i  said  i forget  everything  when i'm in front of people. Thanks everyone  it  was a pleasure being  in a class with such  fine people. 


Memento.
I.          Memento  is an  iconic puzzle  film where we  follow  Leonard Shelby the protagonist  with anterograde amnesia in  his journey to find  the man  that  raped and killed his wife.

II.        Characteristics and Conventions of the Film that Link it to Classic Film Noir

1.      .The ambiguous protagonist.
A.     The person   between the fine line of good and evil. Leonard Shelby he suffers from     anterograde amnesia, which makes him not remember a single detail after a period of 15 min or after he gets distracted. He is often being manipulated to do things by the people that surround him and know about his condition.
2.      The detective figure
A.    Played  by  two people: one of them  being  Leonard he has  a double or  triple function in the  film, the other  detective  is Teddy Gammell the cop that  was  assigned  to the scene where Leonard lost his short  term  memory.
3.      Femme fatale.
A.    Natalie is the one \that gets the best out of Leonard’s condition. She manipulates Leonard as she pleases in order to get people out of her way.
4.       Filming technique.
A.    filming  the last  scene  to   be the  first  one to  appear  is a common  technique used  in noir. This  gives us  basically the end  and  we know  that’s how it  will end  now  we  have to figure  out,  how  did  it  get to  that point.
B.     Claustrophobic settings. You never get a full shot of the place you are every room seems small, and all the shots are really closed.
C.     Voice over.  Throughout   the film we hear Leonard narrating what’s going on or at least what he is trying to figure out. A great example  is when he  is  running and  Dodd is  chasing  him, he  forgets  what  he is doing  and  ass himself what am I doing, oh I’m chasing this guy, Dodd shoots at him and Leonard says nope  he is  chasing me.



III.       Elements of the Film that Deviate from Classic Film Noir and Link it to Neo Noir

1.      The ambiguous protagonist.
A.    Leonard Shelby is clearly the ambiguous protagonist, but the reason he is in this position is due to his condition. This makes him different from any other ambiguous protagonist because he is not really choosing to be the person that he is. Every choice he takes is based on his system that can be easily manipulated.

2.      The femme fatale.
A.    Natalie is not  the greed driven  femme fatale, she  is  driven more  by the need to get  revenge , also  sees  the  window to  get rid  of  people that interfere in her life.



3.      The Internal search.
A.    Leonard knows who he was before the accident, but after that he  really  just has memories of  that person, because  he  has  no clue of  the monster  that  he  has become.
“Teddy: You're not a killer.
[Pinches Leonard's cheeks]
Teddy: That's why you're so good at it.” 

B.     He  creates an  alter  ego  called  Sammy Jankins, mainly  to  deal  with  his  condition, he compares his  style  of life  with  the  one ok  Sammy, he convinces  himself  that he  is more disciplines  that  Sammy, that he  actually has  a motive  that  drives  him  to  stay  alive each day.


Quote 1.
In the anthology  the philosophy  of Noir,  Jason Holt in  his  short  work  A  darker  shade  quotes   Carl Richardson  “ Somewhere in between  the soft lies of cinema and the harsh  truths of  reality, there  exists an  element of  realism in film noir”(23).

Quote 2.
Claire Molly   In her   work  Memento she quotes Christopher Nolan  “film noir has become this nostalgic image of guys in rain coats and fedoras coming down alleyways. But when you go back and look at the films, you realize they were very contemporary stories, imbued with exaggerated everyday fears. I wanted to do a modern noir which would reawaken some of that paranoia in a slightly different way”(87). 

Works cited.
Holt Jason. A darker shade.  The Philosophy of Film Noir. ED Mark T Conrad.  Lexington:           University Press of Kentucky, 2006.Print.          

Molloy, Claire. Memento. Edinburgh: Edinburgh University Press, 2010. eBook Collection             (EBSCOhost). Web. 28 Nov. 2013.